Horror

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American Horror Story 1984

American Horror Story is consistently well written (by the same people that do Glee) even when it’s consciously been written badly. The ninth season, 1984, is a classicover the top slasher picture with sporadic—but sparingly— blood heavy scenes. And just enough shocking moments to keep it original (there’s an oven scene to dieeeee for). 

american horror story

Set mostly in a typical American summer camp, a bunch of young adults are terrorised by a serial killer at large. But each character comes with a dicey past and their own demons, which provides discernible motivation for escaping LA and taking up residence at the camp. 

It’s not really until the third episode that it gets into the core plot. There seems to be a lot of padding in points and flashbacks so the chronology is a bit confusing, perhaps intentionally so (the season is only halfway through).

Eighties nostalgia translates really well on the small screen, particularly when done well like in ManiacStranger Thingsand Black Mirror. And AHS are renown for taking solid horror tropes and aesthetics and making them interesting still/again. And the eighties aerobics scene/s are everything though. Everything!

However, this season is the ultimate let down. I don’t say this lightly as I will totally stan AHS, even Roanoke. But don’t totally disregard it as it dallies around some pretty intriguing sub plots about the psychology around why serial killers kill, in an almost homage to the popular series Mindhunter. High fructose corn syrup was one theory why more people were being murdered…

With a noticeable absence of the usual cast of Sarah Paulson, Jessica Lange, Evan Peters or Kathy Bates, it is reasonably lacklustre. However, Angelica Ross is outstanding and almost makes up for the lack of usual talent. 

Angela Ross is amazing in American Horror Story 1984

Time to check out some more horror shows?

American Gods

Watch on Prime.

Based on the awardwinning novel (published in 2001) of one of the world’s most loved authors, Neil Gaiman. American Gods is a dark and suspenseful spec fic TV series. The book and author has a cult following and it’s not hard to see why.

American Gods review on prime

With a promising opening credit sequence, it sets the scene for dark fantasy and neon horror. And yes, it’s intriguing as it sounds. 

The rich and complex scenes are concurrently fast paced and slow burning. Which develops the fullness of all the characters (based on deities), mainly the protagonist, Shadow. Who is every bit as his name suggests, in the best possible way. The story is told in a series of vignettes. Which are slowly revealed as connected by the main character (bad guy turned good). 

Each scene in American Gods is highly visual and palpable stories in and of themselves. From the elderly babcia who tells fortunes with tea leaves to the futuristic leader called Technology Boy. To the sexual representation of goddess Ishtar who literally devours her subjects with her genitals. The details are complete and thick. And provide a great mattress for the obvious tension in every scene between at least two of the characters. 

american gods review

American Gods is heavy with mythology and historical legend and how the universal learnings apply to all humanity in today’s world. And it’s all complemented with an evocative gothic soundtrack. 

Gaiman is one of the executive producers which gives comfort that there is some authenticity in regard to the novel. 

american gods gillian anderson
Gillian Anderson as Lucille Ball

Should I watch it American Gods?

Yes. Especially if you love your mythology. Also yes just to see the incredible Gillian Anderson play Lucille Ball-Riccardo,  Marilyn Monroe and David Bowie.

If you like TV shows based on books, read the Alias Grace review.