Paul Rudd and Aisling Bea… is almost too much to handle on one screen. But TWO Paul Rudds in the one show? Well. Mind explosion. And if that’s not enough, there’s a special guest spot from Alia Shakwat.
Miles (Rudd) is living a mundane existence that is rapidly aging him in Living with Yourself. So he impulsively decides to spend hard earned savings (that was meant for fertility treatments) on a spa day, recommended by a friend.
And then he wakes up buried, wrapped in plastic. Upon returning home he discovers a clone of himself. But that’s not all that has changed. Something within him has come to life. Well, within one of the versions of him. Things are thrilling again— the air feels better, he no longer needs glasses and he has the confidence to kick arse during pitch meetings at work.
And the other (original) version, remains downtrodden by life, devoid of colour and like the juice has been completely sucked out of him.
Surely, it’s most people’s fantasy to be cloned or at least have a clone to help with the housework. As you’d expect, Miles starts putting his duplicate to good use by standing in at parties and so on. The trouble starts when people start preferring the clone. It’s a new and unexplored complexity to be jealous of yourself.
Most episodes alternate between the two Miles’ points of view, with a bonus viewpoint of his wife which strengthens the plot and adds additional dimensions through these perspectives.
It’s an interesting and non confronting look at identity, without being emotionally wrenching like how many dramedies are constructed these days. This is not a criticism, I like it, it’s just nice to have the reprieve and not have to have the dread of what is around the narrative corner. Plus, it retains its stamina throughout the whole season.
You might need to binge watch because the chronology is not the easiest to follow. Any excuse to binge watch, right?